Paris Review – The Art of Fiction No. 130, Italo Calvino

See on Scoop.itLe BONHEUR comme indice d’épanouissement social et économique.

Upon hearing of Italo Calvino’s death in September of 1985, John Updike commented, “Calvino was a genial as well as brilliant writer. He took fiction into new places where it had never been before, and back into the fabulous and ancient sources of narrative.” At that time Calvino was the preeminent Italian writer, the influence of his fantastic novels and stories reaching far beyond the Mediterranean.

Two years before, The Paris Review had commissioned a Writers at Work interview with Calvino to be conducted by William Weaver, his longtime English translator. It was never completed, though Weaver later rewrote his introduction as a remembrance. Still later, The Paris Review purchased transcripts of a videotaped interview with Calvino (produced and directed by Damien Pettigrew and Gaspard Di Caro) and a memoir by Pietro Citati, the Italian critic. What follows—these three selections and a transcript of Calvino’s thoughts before being interviewed—is a collage, an oblique portrait.

—Rowan Gaither, 1992

association concert urbain‘s insight:

 

 

via  The Paris Review ‏

@parisreview

“I envy those writers who can proceed without correcting.” —Italo Calvino

RT Galarno
@galarno_com

See on www.theparisreview.org

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A propos de l’Association Concert Urbain

L'association Concert-Urbain mène une action originale afin de mettre les nouvelles technologies au service du dialogue et de la concertation sociale. http://www.concert-urbain.org
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